Jerry Lewis, Hollywood survivor, showman, dies during 91

Jerry Lewis succinct what it meant to be a survivor in Hollywood.

Through ups and downs in popularity, health troubles and weight fluctuations and a sorts of seismic shifts that take place over decades in a party industry, Lewis always figured out a approach to conflict back, to reinvent himself, to stay relevant. It’s what fast stars know how to do instinctively; maybe it’s that unequivocally expostulate that creates them stars in a initial place.

Through it all, Lewis remained a unqualified showman, and his particular comic bequest certainly will continue to tarry for decades to come. The manic, rubber-faced performer who jumped and hollered to celebrity in a stage, radio, TV and film partnership with Dean Martin, staid to turn a mortified auteur in cinema he wrote, constructed and directed, and found new celebrity as a tireless, teary horde of a annual robust dystrophy telethons, died Sunday during home in Las Vegas surrounded by family. He was 91.

Lewis, who had battled a lung illness pulmonary fibrosis, heart issues, a debilitating behind problem and obsession to pain killers, died of healthy causes, according to his publicist.

His career spanned a story of uncover business in a 20th century, commencement in his parents’ vaudeville act during a age of 5. He was usually 20 when his pairing with Martin done them general stars. After their cold interruption in 1956, Lewis done such favorites as “The Bellboy” and “The Nutty Professor,” was featured in Martin Scorsese’s “The King of Comedy” and seemed as himself in Billy Crystal’s “Mr. Saturday Night.” In a 1990s, he scored a theatre quip as a demon in a Broadway reconstruction of “Damn Yankees.”

In his 80s, he was still roving a world, formulation to reconstitute some of his progressing cinema and operative on a theatre chronicle of “The Nutty Professor.” He was so active he would infrequently forget a basics, like eating, his associates would recall. In 2012, Lewis missed an awards rite thrown by his dear Friars Club since his blood sugarine forsaken from miss of food and he had to spend a night in a hospital.

In an speak with The Associated Press from 2016, Lewis, during 90 and compelling a film “Max Rose,” pronounced he still woke adult each day during 4:30 or 5 in a morning to write, and he had a handful of standup shows on a schedule.

Although a transparent change on Jim Carrey and other slapstick performers, after generations knew Lewis essentially as a ringmaster of a Labor Day Muscular Dystrophy Association, joking and reminiscing and introducing guests, empathize stories about bum kids and final with his personal anthem, a ballad “You’ll Never Walk Alone.” From a 1960s onward, a telethons lifted about $1.5 billion. He announced in 2011 that he would step down as host, yet he would sojourn authority of a organisation he assimilated some 60 years ago.

His fundraising efforts won him a Jean Hersholt Humanitarian Award during a 2009 Oscar telecast, an respect he pronounced “touches my heart and a unequivocally abyss of my soul.” But a telethon was also criticized for being mawkish and exploitative of children, famous as “Jerry’s Kids.” A 1960s robust dystrophy print boy, Mike Ervin, after done a documentary called “The Kids Are All Alright,” in that he purported that Lewis and a Muscular Dystrophy Association had treated him and others as objects of empathize rather than genuine people.

Responded Lewis: “You don’t wish to be pitied since you’re a ravage in a wheelchair, stay in your house!”

He was a classical funnyman who longed to play “Hamlet.” He cried as tough as he laughed. He sassed and embroiled during critics and interviewers who dissatisfied him. He pontificated on speak shows, lectured to college students and gathered his thoughts in a 1971 book “The Total Film-Maker.”

“I believe, in my possess way, that we contend something on film. I’m removing to those who substantially don’t have a genius to know what … ‘A Man for All Seasons’ is all about, and many who did know it,” he wrote. “I am not ashamed or broke during how clearly hackneyed or cloying something in my films will sound. we unequivocally do make films for my great-great-grandchildren and not for my fellows during a Screen Directors Guild or for a critics.”

In his early movies, he played a kind of fellows who would have had no thought what a elder Lewis was articulate about: loose-limbed, buck-toothed, disproportionate adolescents, trouble-prone and prone to yell when raid by enemies. American critics famous a comedian’s renouned interest yet not his pretensions of aloft art. Not a French. Writing in Paris’ Le Monde newspaper, Jacques Siclier praised Lewis’ “apish allure, his control of a child, his grimaces, his contortions, his maladjustment to a world, his dark fear of women, his approach of unfortunate sequence everywhere he appeared.”

The French supervision awarded Lewis a Chevalier of a Legion of Honor in 1983 and Commander of Arts and Letters a following year. Film censor Andrew Sarris observed: “The fact that Lewis lacks written wit on a shade doesn’t quite worry a French.”

Lewis had teamed adult with Martin after World War II, and their radio and theatre antics gay audiences, nonetheless not immediately. Their debut, in 1946 during Atlantic City’s 500 Club, was a bust. Warned by owners “Skinny” D’Amato that they competence be fired, Martin and Lewis tossed a book and makeshift their approach into history. New York columnists Walter Winchell and Ed Sullivan raved over a voluptuous thespian and a berserk clown.

Hollywood author Hal Wallis saw them during New York’s Copacabana and sealed them to a film contract. Martin and Lewis initial seemed in ancillary roles in, afterwards they began a strike array of starring vehicles: “At War With a Army,” ”That’s My Boy,” ”Sailor Beware,” ”Jumping Jacks,” ”The Stooge,” ”The Caddy,” ”Money From Home,” ”Living It Up,” ”Three Ring Circus,” ”You’re Never Too Young,” ”Artists and Models,” ”Pardners,” ”Hollywood or Bust.”

But in a mid-1950s, their partnership began to wear. Lewis longed for some-more than laughs. Martin had sleepy of personification true male and of Lewis’ attempts to inject Chaplinesque pathos into their movies. He also wearied of a gait of films, television, nightclub and museum appearances, advantages and broadside junkets on that Lewis thrived. The difference became increasingly open as a twin camps sparred verbally.

“I knew we were in difficulty a day someone gave Jerry a book about Charlie Chaplin,” Martin cracked.

On Jul 24, 1956, Martin and Lewis sealed shop, during a Copa, and remained disloyal for years. Martin, who died in 1995, did make a dramatic, warn coming on Lewis’ telethon in 1976 (a reunion brokered by mutual companion Frank Sinatra). After Martin’s death, Lewis pronounced a twin had again turn accessible during his former partner’s final years and he would regularly demonstrate his indebtedness for Martin above all others.

Lewis renowned himself after a break, divulgence a critical side as astonishing as Martin’s present for comedy.

He brought in comedy executive Frank Tashlin for “Rock-a-bye Baby,” ”Cinderfella,” ”The Disorderly Orderly,” ”The Geisha Boy” and “Who’s Minding a Store?”

With “The Bellboy,” though, Lewis insincere a posts of producer, director, author and star, like his statue Chaplin. Among his hits underneath his possess instruction was a 1963 “The Nutty Professor,” personification a twin Jekyll and Hyde role, transforming himself from a nerdy college clergyman to a voluptuous (and conceited) loll singer, Buddy Love, regarded as a travesty of his aged partner Martin.

Lewis’ some-more new film credits enclosed such low-budget releases as “Arizona Dream,” co-starring Johnny Depp, “Funny Bones,” and “Max Rose,” from 2016. He was seen quickly in Eddie Murphy’s reconstitute of “The Nutty Professor.”

He was innate Joseph Levitch in Newark, New Jersey, on Mar 16, 1926. His father, billed as Danny Lewis, was a thespian on a borscht and mime circuits. His mom played piano for Danny’s act. Their usually child was mostly left alone in hotel rooms, or lived in Brooklyn with his consanguine grandparents, Russian Jewish immigrants, or his aunts in New Jersey.

“All my life I’ve been fearful of being alone,” Lewis once said. In his after years a waste condemned him, and he surrounded himself with an environment during work and during home.

Joey Levitch done his veteran entrance during age 5, singing a Depression tearjerker “Brother, Can You Spare a Dime?” to good applause.

By 16, Jerry Lewis had forsaken out of propagandize and was earning as most as $150 a week as a solo performer. Rejected by a Army since of a heart whimper and punctured eardrum, Lewis entertained infantry in World War II and toured with his lip-sync act. In 1944 he married Patti Palmer, a rope vocalist. The following year he met Martin, on a Mar day in 1945 in Manhattan.

Fame brought him women and Lewis wrote plainly of his many partners. After 36 years of matrimony and 6 sons, Patti Lewis sued her father for divorce in 1982. She after wrote a book claiming that he was an adulterer and drug addict who abused their children. In his late 50s, Lewis married Sandra Pitnick, 32, a former airline stewardess. They had a daughter, Dani, named for Jerry’s father.

“When a law comes down to a truth, we am so beholden that I’m on that theatre or in front of that camera,” Lewis told The Associated Press in 2016. “To have a career that we had in film, I’m a luckiest Jew that ever lived. I’m so beholden for it. we don’t take advantage of it. we don’t use it improperly. And we adore a fact that there’s nowhere we can go where people don’t know me.”


Lemire is a former Associated Press writer. Associated Press author Bob Thomas and AP Film Writer Lindsey Bahr in Los Angeles and AP National Writer Hillel Italie in New York contributed to this report.

Do you have an unusual story to tell? E-mail